Audrey
Hepburn
|
What comes to mind when you think about
classic furniture? The word classic
is broad and widely used to refer to
everything from, books, clothing, movies,
music and of course design.
You may even be wondering what the term
"classic" really means. Webster’s
has 14 definitions alone. The description
that is most applicable; enduring, serving
as a model or guide. The designers from
the modern era led the way in the furniture
revolution and their stamp can still
be seen today by their contemporaries.
With the resurgence of interest in retro
fashion, music and art from the modern
era has also come a taste for the retro
interiors and furniture. Nowhere is
that more apparent than the fascination
with the glamour of "Old Hollywood".
The interesting thing about these pieces
is that they were designed as early
as 1900 and they are every bit as relevant
today. That is some feat in a world
that is changing at the speed of light.
Just like the little black dress these
modern classics are always in style.
|
The
taste for modern furniture is as varied
as the designs themselves. For some the
objects of greatest appeal are the experiments
in tubular-steel furniture of the Bauhaus
designers; for others it’s the sculptural
and beautifully crafted design in wood from
the Scandinavians; there are those who prefer
the colourful plastics of the Pop era, or
perhaps the work of just a single designer.
 |
Early Modernism
– Furniture design from the
late-nineteenth century to 1939
The start of the modern era brought
an explosion of new materials and
innovative manufacturing techniques.
Virtually every area of our lives
was touched by sweeping change from
our homes and offices, airports and
schools, restaurants and libraries.
Touched by sweeping change from our
homes and offices, airports and schools,
restaurants and libraries. |
Mid
Century Modernism – The Postwar
Era 1939-1959
The world was reeling from the devastating
effects of the Second World War. European
cities were in ruins, the economy was
destroyed and the emotional loses were
heartbreaking. In this climate of soberness
and austerity production was slow. It
was a different story in America there
was a renewed spirit of optimism emerging
and design and architecture schools
were bursting with energy and innovation.
This newly sparked imagination brought
the use of new materials and more organic
design. |
|
B306,
1928 Designers: Le Corbusier with
Charlotte Perriand and Pierre Jeanneret
|
| |
|
Noguchi table
,1948 designer: Isamu Noguchi |
Marshmallow Sofa,
1956 designer: George Nelson |
Pop & Post Modernism –
Into the Future 1960-1985
The decade that followed the monochromatic
50’s was anything but! By contrast
the age of technicolour and confidence was
born. It was an exciting time in fashion,
art and music. In the home there was an
explosion of colour, pattern and new materials.
Home and interior magazines started to appear
and showed people how to create spaces that
were an expression of their personalities.
The idea of form and not just function was
emerging. Echoing trends in pop music, fashion
and art, furniture became more laidback,
informal and fun!
|
|
Corona Chair,
1961 designer: Paul Volther |
Panton Chair,
late 1960’s designer: Verner
Panton |
As we take a look back we see a microcosm
of world events that begins the Industrial
Revolution, moves through the social drive
to improve the quality of life of the masses
pre war to the energy and enthusiasm of
post modernism. Today our focus is on climate
change and the effects of the environment;
this too will help to shape the future of
furniture.
Click
Here to Visit our Classics Section
Source: Vintage Furniture
by Fay Sweet (Carlton Books)
|
Modern classic furniture
is often thought of as contemporary,
austere, cold and for those that have
ultra modern spaces. Not so…The
great thing about decorating is having
so many choices, never has being eclectic
and adventurous been so chic. Flip through
any home decorating magazine and you
will soon start spotting these classics;
the furniture lends itself to many different
styles of decorating and has become
a badge of connoisseurship. While some
people chose to have a sparse wide open
décor using only the classics,
others mix them in with more traditional
pieces or even antiques. I think the
balance of old and new is what gives
a home character and personality. I
have compiled some interiors that display
all of these glorious classics in fun
and functional room setting. What I
think is interesting is how timeless
all these spaces are, it would be difficult
to tell if the room is from the 1950’s
or 2009. |
| |
|
|